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SECRETS OF A MODEL
(1940) Cheryl Walker, Harold Daniels, Julian Madison, Phyllis Barry, Bobby Watson. One of the better exploitation films of the late 1930s and early 1940s. It shows what happens to young gals short on cash. A young girl needs money for her dying mom and ends up as a “model” for a sculpture called, “Spirit of Youth.” Later she gets smashed and let’s a sleazy playboy have his way with her...
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WHAT'S UP FRONT
(1963) Tommy Holden, Arch Hall, Sr., Marilyn Manning, Carolyn Walker,Nancy Czar, directed by James Landis. One of the campiest films we’ve released in a long time. It’s an Arch Hall Fairway International film so keep your expectations for low and you won’t be disappointed. The plot is simple: a small-town geek becomes a fantastically successful door-to-door bra salesman and helps keep the company from going broke...
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SLAVE TRADE IN THE WORLD TODAY
(1964) Robert Lamoureux, Robin Maugham, Allen Swift. This is a “Mondo” type of film that chronicles modern day slave trade during the 1960s. It’s centered mainly in Arabian and African countries that were under heavy Muslim rule. Much of the filming was done in public places using hidden cameras and crewmembers. There are numerous scenes of violence, nudity, and even sex...
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GROUPIES
(1970) Patty Cakes, Chaz, Pamela Des Barres, Miss Harlow, Goldie Glitters. This is a fairly obscure documentary about the well-known rock 'n' roll groupies of the late ‘60s. It’s a fascinating look into the lives of rock and roll’s fringe players, and the depiction is not always a pretty one. Look for shots of the infamous Plaster Casters...
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NAKED ROAD, THE
(1959) Jeanne Rainer, Ronald Long, Art Koulias, Frances Hammond. In what is clearly a set-up by corrupt police officials, a pretty young model ends up stuck in a small town sheriff’s office, unable to pay for a traffic violation. When a pudgy businessman arrives—also caught for speeding—he offers to pay her fine, which she thankfully accepts. Little does she know that her recompense will throw her into a sordid life as an escort girl...
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LAUGHING WOMAN, THE—Anamorphic Widescreen Edition
(1969) Philippe Leroy, Dagmar Lassander, Lorenza Guerrieri, Varo Soleri. This has become kind of a cult classic over the years. Leroy, who was wonderfully delightful in the Seven Golden Men films, plays, with much conviction, a sadistic millionaire with a penchant for degrading women. It’s all part of his elaborate S&M fantasies, in which he abducts beautiful young women...
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BLUE JEANS—Windowboxed Widescreen Edition
(1975) Gloria Guida, Paolo Carlini, Annie Carol Edel, Gianluigi Chirizzi. A young, sexually free-spirited drifter falls in love for an older man, who she claims is her long-lost father. She comes to live with him and causes no end of trouble...
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ADVENTURES OF JANE, THE
(1949) Christabel Leighton-Porter, Stanelli, Michael Hogarth, Ian Colin, Peter Butterworth. This film is based on “Jane,” a popular comic strip in WWII Britain about the lewd misadventures of a sexy young blonde. Leighton-Porter, in the title role, plays a burlesque dancer who unknowingly transports a stolen diamond for some conniving jewel thieves...
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GIRL ON THE RUN
(1953) Richard Coogan, Rosemary Pettit, Frank Albertson, Charles Bolender, Harry Bannister, Renee De Milo, Edith King, Steve McQueen. This sordid film-noir exploitation oddity is centered around a trashy burlesque carnival, which of course means lots of skimpily-dressed buxom beauties prancing about. A crusading anti-vice editor has been murdered and the cops think the killer is hiding at the carnival...
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JOURNEY INTO THE BEYOND—Anamorphic Widescreen
(1975, Anamorphic Widescreen) Narrated by John Carradine. This R-rated Mondo movie has a ton of bizarre stuff, some of which will really make you wince. You’ve got outer space footage; an exorcism; real-life voodoo rites; levitation, etc...
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C. B. HUSTLERS—Anamorphic Widescreen
(1976, Anamorphic Widescreen) John F. Goff, Richard Kennedy, John Alderman, Valdesta, Janus Blythe, Uschi Digard, Catherine Barkley. This schlock-fest came out during the CB radio craze. It’s one of those so-bad-it’s-good 2nd feature drive-in movies that kept us awake after midnight...
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