THE $98 SPECIAL—Back for Spring and Summer!  Now through Monday, August 25th of 2025, grab ANY TWELVE (12) TITLES FOR ONLY 98 DOLLARS POSTPAID.  Simply add this to your cart and take advantage of this great special—our most popular sale ever...

THE SUPER 6 SALE is available now!  Simply add this product to your cart to take advantage of this great sale. Buy any 5 titles from our website catalog and receive the 6th title absolutely free. Remember, this sale applies to all titles in our website catalog. WE WILL ADJUST YOUR FINAL TOTAL!  Don't worry about the total on your invoice during checkout, we will adjust your total on our end and you will only be charged the sale price. We will also pick your most expensive title(s) to be your free title(s). 

(1949) Christabel Leighton-Porter, Stanelli, Michael Hogarth, Ian Colin, Peter Butterworth.  This film is based on “Jane,” a popular comic strip in WWII Britain about the lewd misadventures of a sexy young blonde.  Leighton-Porter, in the title role, plays a burlesque dancer who unknowingly transports a stolen diamond for some conniving jewel thieves...

(1960) Anna Magnani, Giulietta Masina. A harsh study about the grim realities of life in a non-coed, totally female prison environment. Story concerns a young girl who comes to prison and experiences the ent

(1954) William Page, Misty Ayers, William Marks, Heather English, Ben Frommer, directed by Sid Melton. This incredibly bad exploitation film is a grade Z classic!  A young woman visits a model agency.  Soon she’s molested, then loaded up on drugs and finally forced to become a call girl. There’s a crime element here, but the film was made essentially so that Ayers could take her clothes off here and there on camera...

(1975) Gloria Guida, Paolo Carlini, Annie Carol Edel, Gianluigi Chirizzi.  A young, sexually free-spirited drifter falls in love for an older man, who she claims is her long-lost father.  She comes to live with him and causes no end of trouble...

(1976, Anamorphic Widescreen) John F. Goff, Richard Kennedy, John Alderman, Valdesta, Janus Blythe, Uschi Digard, Catherine Barkley.  This schlock-fest came out during the CB radio craze.  It’s one of those so-bad-it’s-good 2nd feature drive-in movies that kept us awake after midnight...

(1963, Uncut Anamorphic Widescreen) Lucy Kelly, Annabelle Lee, George Edgely, Max Anderson.  One of our favorite exploitation films.  A busty sex kitten makes her move on her old Uncle Shug, who showers her with money in return for “favors.”  There’s just one hitch...

(1943) Willy Castello, Lloyd Ingraham, Lona Andre, Betty Compson.  This is one of those lovable “crime doesn’t pay” exploitation films, with convicted and about-to-be-executed criminal Castello (Lucky Lombardo) telling the sordid tales of his past...

(1965, Upgraded 3/16/24) Byron Mabe, Jerome Eden, Mai Jansson, Mimi Marlowe, Carol Dark.  This is a remarkable David Friedman film about a couple of hoodlums that kidnap a young girl and keep her in the cellar of a deserted warehouse where they subject her to all kinds of mental, physical, and sexual mistreatment.  For being such a low budget affair this is really a well-made film...

LABYRINTH (1959) Nadja Tiller, Peter Van Eyck, Nicole Badal, Amedeo Nazarri, Hannah Wieder. Labyrinth is a bizarre, brilliant film about a group of mental misfits in an out-of-this-world sanatorium... PLUS: AND THE WILD, WILD WOMEN (1960) Anna Magnani, Giulieta Masina. A frightened girl is sent to prison and exposed to prison culture...

A SWINGIN’ AFFAIR (1963, aka REBEL IN THE RING) Bill Wellman, Jr., Arline Judge.  Wellman’s a kid from the poor side of town and a part-time boxer who’s a pledge at a snobby college fraternity.  He makes his money beating up his foes in the ring.  He lives in fear, though, of his fraternity pals finding out about his humble beginnings and his shady profession.  PLUS:  MOONSHINE MOUNTAIN (1964) Chuck Scott, Jeffrey Allen, directed by H.G. Lewis.  A pretty amazing movie.  Not much of a plot really, just lots of hootin’ and hollerin’, feuds, stills, singing, and gory murders...

WILD ONES ON WHEELS (1962) Francine York, Robert Blair, Edmund Tonini, Ray Dennis Steckler.  A sports car gang murders an ex-con and forces his wife to locate $240,000 he had buried in the desert.  PLUS:  SECRET FILE HOLLYWOOD (1962) Robert Clarke, Francine York, Syd Mason.  Entertaining exploitation schlocker about an ex-detective who digs up dirt for a Hollywood scandal sheet...

PSYCHO CIRCUS (1966, Anamorphic Widescreen) Christopher Lee, Leo Genn, Anthony Newlands, Heinz Drache, Margaret Lee, Eddi Arent, Klaus Kinski.  A botched heist ends with one of the criminals shooting a police officer. The shooter is given the chance to give the boss his share... RAT FINK (1966. Anamorphic Widescreen) Schuyler Hayden, Hal Bokar, Warrene Ott, Judy Hughes.  A great film!  Hayden is a ruthless rock singer wannabe who takes what he wants, unafraid to stamp out anybody who gets in his way...

Armchair Fiction presents a new line of “Scandalous Classics,” featuring the works of Florence Stonebraker.  FLESH IS WEAK is another well-crafted tale of steamy lust, seedy men and women, despicable conduct, overt sexual permissiveness, and unabashed vice!  “Flesh is Weak” is another Stonebraker gem.  It's the story of a lustful teenage girl who was blinded by her passion for seedy men...

(1955) Joy Reynolds, Guy Manford, Geri Moffatt. Young girls are led into a life of shame by organized vice lords. "A true story that rocked the nation!". This movie's loaded with pure, hysterical camp...

(1950) Robert Clarke, Reed Hadley, Margaret Field, Christine McIntyre, Nana Bryant.  A hokey, yet enjoyable exploitation film about a young wife who goes to a shrink because she’s depressed and suicidal over her sexual problems.  He tries to straighten her out by telling her the story of... 

(1936) Martha Chapin, Wheeler Oakman, Bryant Washburn, Gay Sheridan, Robert Frazer. Innocent girls are "sucked" into a gambling and prostitution house...

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(1965) William Watson, Julie Ange. An outrageous exploitation film made the year after civil rights workers were murdered in Mississippi. A white guy, black guy and white gal are arrested, abused and eventually murdered by...

(1953) Richard Coogan, Rosemary Pettit, Frank Albertson, Charles Bolender, Harry Bannister, Renee De Milo, Edith King, Steve McQueen.  This sordid film-noir exploitation oddity is centered around a trashy burlesque carnival, which of course means lots of skimpily-dressed buxom beauties prancing about.  A crusading anti-vice editor has been murdered and the cops think the killer is hiding at the carnival...

(1970) Patty Cakes, Chaz, Pamela Des Barres, Miss Harlow, Goldie Glitters.  This is a fairly obscure documentary about the well-known rock 'n' roll groupies of the late ‘60s.  It’s a fascinating look into the lives of rock and roll’s fringe players, and the depiction is not always a pretty one.  Look for shots of the infamous Plaster Casters...

(1956) Tim Farrell, Jean Ferguson, Jackie Park, Jean Ann Lewis. A gang of gun-toting gals prowl about, holding up everyone in sight. Farrell fences their stolen goods and gets his gun moll pregnant...

(1966, Anamorphic Widescreen) Kevin Scott, Jennifer Laird, Alan Wylie, Barbara Ward, John Burke.   Laird plays a delivery girl who stops by a sleaze-photographer’s office in the middle of one of his nudie sessions...

(1953) Frank Lovejoy, Edmund O'Brien, William Talman, Jose Torvay.  This is truly one of the most gripping film noir classics you'll ever see. The plot concerns two vacationing businessmen who are held captive by a psychopath. The hitch-hiking killer puts his companions through sheer hell as they roll through the lonely highways of Mexico...  

(1964) Anthony Vorno, Rue McMclanahan. Not released theatrically until l1968. Rue plays a sleazy young starlit trying to 'make it' in Hollywood, any way she can. She earns her rent money by stripping in a lo

(1937, aka HIGHWAY HELL) Mary Chauning. Another hilarious, classic, exploitation film. The story is about a hitch-hiking prostitution ring. "Going my way, mister?" was the film's big tag line back when first released...